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FORE:LIX UNDER CHARLOTTE'S WINDOWShe made no reservation on the subject: she told herself that it was because these things were done with Keeling or for him. With equal frankness, now that she had brought herself face to face with the question, she affirmed that she was not in love with him, and as far as she could know herself at all she knew that to be true. But it was equally true that she had never met any one who so satisfied her. Never for a moment had the least hint of sentimentality entered into their day-long intercourse. He could be, and sometimes was, gruff and grim, and she accepted his grimnesses and gruffnesses because they were his. At other times he showed a comprehending consideration for her, and she welcomed his{193} comprehension and his considerateness, for exactly the same reason. She knew she would not have cared the toss of a brass farthing if Mr Silverdale had comprehended her, or a railway porter had been considerate of her. All her life she had been independent and industrious, and that had sufficed for her. She had not wanted anything from anybody except employment and a decent recompense. Her emotional life had vented itself on those beloved creatures called books, and on that divine veiled figure called Art that stood behind them, and prompted, as from behind some theatre-wing, her deft imaginative work in designing and executing the wood blocks for book-plates. In every one there is a secret fountain which pours itself out broadcast, or quietly leaks and so saves itself from bursting. Books and the dreams she wove into her blocks had given her that leakage, and here had her fountain thrown up its feather of sparkling waters.
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